The average daily commute in Murrka is under 30 miles. It's probably more in Canada and less in Europe.
The documentary movie Who Killed the Electric Car? released in 2006, tells the strange tale of the EV1, an electric car made by General Motors, leased -- never sold -- from 1996 to 1999, then recalled and destroyed.
The subject of range anxiety -- the awful fear on the part of the driver of an electric vehicle that his machine will run out of juice at any moment and leave him stranded in the middle of high-speed Interstate traffic in the middle of a rainy night -- came up in Who Killed the Electric Car? but in a very different way than we're used to hearing about it today. Today, any EV with less than 200 miles of range per charge is judged by most reviewers to be very deficient, and those with 400 miles or more are received with great joy, even though great range is thus far only attained with a great quantity of batteries, meaning great weight and great expense. A few reviewers see through the hype about range and understand that most people will get by just fine with a range of 150 miles or less, and that most EV buyers are being sold a bunch of unnecessary batteries. Just as, traditionally, car buyers are sold huge engines which they never begin to need.
General Motors advertised a range of 70 to 90 miles for the EV1. Leasees reported a practical range of 50 or 60 miles. But none of the customers were complaining, or waiting until a newer model with longer range came out. On the contrary, demand for the EV1 far outstripped supply, the leasees were delighted with it, they wanted to buy the vehicles, they protested when the cars were recalled. Early on in the movie Ed Begley mocks the idea that the EV1 didn't go far enough on a charge, saying that it met the needs of "only about 90% or so of all drivers."
70 to 90 miles advertised range, 50 to 60 reported practical range.
It was GM who suggested that drivers of the EV1 were unsatisfied with its range. The earliest use of the phrase "range anxiety" I have been able to find is by a GM executive in Who Killed the Electric Car? claiming that EV1 drivers suffered from it, and that this was a major reason why the car was recalled. He referred to it as "so-called range anxiety," as if he himself had not invented the term with the intent of inserting the concept into consumers' minds. Some of the guys from Detroit are pretty slick.
There's also a scene in the movie where two former EV1 drivers talk about how big corporations will keep telling you things until you start to believe that they must be true. Such as that you want a nice big SUV.
Surely you've noticed how many car and SUV and truck commercials show vehicles driving through the western US desert and on highways twisting through California mountains, and say to the viewers, C'mon -- you know you want to get one of these and drive the tires off of it, drive it all day long every day. Until those of us who don't live out West forget that we don't, and those who would rather not drive all day every day start to believe that we would.
And now in 2021, here come a whole great big bunch of brand-new great-big all-electric SUV's with great big long ranges deriving from literal tons of batteries per vehicle. And you want one of those $90,000, 3-ton electric SUV's that can go way over 300 miles on a charge, don't you? You need one of those, because you're an Arizona rancher -- even if you're not. You need to drive 500 miles a day in a huge pickup through the frozen Yukon, to feed the mighty moose! You don't, of course, but you see so many of those damn commercials telling you what a rugged outdoorsman you are that it sort of feels as if you do. You must feed the majestic moose! If not you, who?!
It's sort of nice to see the President test-driving an electric prototype. Sort of. It'd be really nice to see him in an electric compact car and not just in an electric F-150.
from 1988 by Neil Young and the Bluenotes? Neil mocked Michael Jackson and others who let their music be used in commercials: "Ain't singin' for Pepsi/Ain't singin' for Coke/Ain't singin' for no one/Who makes me look like a joke" -- man, those were the days. Back then it was still comparatively rare and shocking when a record originally released as a piece of music for its own sake was recycled as the soundtrack of a commercial. Nowadays it's business as usual. Nobody seems to get upset about it any more. No musicians seem worried that such a thing might make them look like a joke. 
and specifically about the montages of various scenes of humanity in that movie, which in their production style, with lots of very high-definition slow-motion shots of pastoral scenes, and their voice-overs, often the voice of a fictional US President, remind me very much of the sort of commercials one sees on Sunday on American network television, commercials where you don't know until the end, when a company logo finally appears onscreen, and the voice-over sonorously intones the company's name and a completely vague feel-good slogan like "protecting tomorrow" or "experts providing solutions," what exactly is being advertised.