Recent and Contemporary Latin Prose

Over the course of the past 30-odd years, I have taught myself a small amount of Latin. In 1989 I received a Bachelor of Arts degree with a double major in German and English and a minor in French, and I studied more German in graduate school, without obtaining any graduate degree.

Otherwise, all of my language acquisition has occurred outside of classrooms. My method of learning Latin may be unusual -- I don't actually know whether it is -- and perhaps it is not to be recommended: I have read little bits of Latin textbooks, but really not very much at all. Almost all of my attempt to learn Latin has consisted of looking at Latin texts, in editions by Teubner and Oxford Classical Texts and the Rolls Series and MGH, and Loeb, and some editions from the 19th century and earlier from publishers like Weidmann -- just looking at the texts and trying to read them, and occasionally going to a dictionary or textbook for help. And then looking at the Latin texts again, over and over, until I begin to understand them somewhat better. And then looking at them some more.

In the case of recent editions from Teubner and Oxford Classical Texts, in which the editors' prefaces have been in Latin in every case I've seen except one -- in such cases, often I'm much more familiar with the modern prefaces than with the actual ancient texts, which are after all the ostensible point of such endeavors. The modern editors often write in a much more accessible style.

Let me assure my readers that I am in no way accusing these editors of writing Latin in an unsophisticated way. On the contrary, an accessible writing style can the sign of the very greatest skill: look at Bellow in English, for example, or late Sartre in French, transmitting great depths of thought with exceptional clarity. A complex writing style, one which is a little more difficult to read, can also convey deep thinking, but it does not always do so: right now I'm thinking of great 18th century writers in English who wrote grand, long, convoluted sentences -- often because they had read a lot of Classical Latin -- writers such as Berkeley, Hume and Gibbon, and also of other 18th century English writers who wrote long, convoluted sentences which are not grand at all, and who are far too numerous for it to be necessary for me to name any of them.

Right now I'm struggling, not for the first time, with de aquaeductu urbis Romae by Frontinus.

It's not the first time that I've turned the pages of this text, in the 1998 Teubner edition by Kunderewicz, and yet, I could tell you much more about Kunderewicz' preface than about Frontinus' text. At first I had thought to copy here the first sentence of Kunderewicz's preface and of Frontinus' text, but on the copyright page of this edition is an exceptionally long and emphatic warning against using any part of its contents -- and I could hardly claim to be ignorant of this warning's contents just because it's written in German -- and so I will just give you word counts: the first sentence of Frontinus is 75 words long, and then first sentence of Kunderewicz is 12 words long.

I coincidentally also happen to have a copy of the 1990 Teubner edition of stratrgrmata by Frontinus, edited, by R I Ireland. The first sentence of Ireland's preface is 104 words long. It's a wonderful sentence, and I have nothing to say against Ireland as a Latin prose stylist, but, as a whole, I think Kunderewicz's style is closer to the contemporary norm. And I think that is a good thing. I take it as a sign of an authentic and living contemporary Latin (at least as far as writing is concerned). Most of those writing today in Latin do not seem to be trying to imitate the ancient authors whom they edit. (There may be many others writing in Latin today who are doing things other than editing ancient Latin and Greek authors, but I am not aware of the existence of many.)

In the Italian Renaissance, very many of the most prominent Latin authors, who were writing all sorts of things besides prefaces to editions of ancient authors, strove quite consciously to imitate Cicero's writing style in prose and Vergil's in verse -- two very bad ideas, in my opinion, which inadvertently did more to kill the Latin language than to vivify it.

Contemporary Latinists, as far as I can tell, rather than imitating the ancients, seem to be closer to sharing the attitude of Angelo Poliziano, one of the the relatively few non-Ciceronians among the Italian Renaissance authors, who said:

"Non exprimis, aliquis inquit, Ciceronem. Quid tum? Non enim sum Cicero; me tamen, ut opinor, exprimo." ("Some say I don't write like Cicero. So what? I'm not Cicero. But, I believe, I do write like myself.")

That's the only way to write, as far as I'm concerned. Here's to the living Latin language.